This is helpful when trimming in the timeline (a common technique in FCP & Media Composer). One quick tip: add buttons for “go to marker” and “play around”. You also have the option to customize the window by adding or removing buttons.
In the source/record windows you now see less buttons, but they’ve been made bigger and easier to identify. The audio mixer/meters are much improved and give you more options than FCP had. In CS5.5, tracks had to be specified mono, stereo, or surround. Audio tracks now have a standard type, which means mono, stereo, and surround can share the same tracks. Lets take a look…Īdobe has brought Premiere Pro CS6 audio features more in-line with those of Media Composer & Final Cut Pro. Many new Premiere Pro CS6 features were added with the professional video editor’s needs in mind. Premiere Pro is a good option for former FCP editors, especially those looking to replace Final Cut Pro Studio with the comparable Adobe Production Premium. The announcement of Creative Suite 6 at this year’s NAB show shows that Adobe is listening to the professional video editing user with the addition of many new Premiere Pro CS6 features. Many former FCP7 users are now migrating to Media Composer and Premiere. Last year’s Final Cut Pro debacle has been changing that. By the time it returned to Mac in 2006, FCP and Avid held the market share. This allowed Final Cut Pro to capture the Mac market. When Adobe finally did a redesign of the app in 2003, it was only available for Windows users. It was clunky, unstable and wasn’t geared for the professional editing market. You can find more AE and Premiere tips and tricks on his site.Ī lot of video editors may remember Premiere as the application it was in the 1990’s. This is a guest post by Adobe Instructor and freelance editor, Clay Asbury. Here’s what you need to know about the new additions to Premiere CS6.
After living in the shadow of FCP and Media Composer, Adobe Premiere seems poised to gain a professional user base.
0 kommentar(er)
